Dark Chocolate Chip Banana Bread using Turkey Red and Sonoran Gold

Some dear friends of Palouse Heritage, Danny and Shirley, love baking their own bread at home. They've been experimenting with our Palouse Heritage landrace grain flours and have made some remarkably delicious baked goods. A favorite is their Dark Chocolate Chip Banana Bread made with our Turkey Red and Sonoran Gold flours. YUMMY!!! 

Danny and Shirley were kind enough to share their recipe. We highly recommend you give it a try. You won't regret it!


Dark Chocolate Chip Banana Bread with Turkey Red and Sonoran Gold

Made using the Zojirushi Home Bakery Virtuoso Breadmaker

  • 3 large eggs, beaten
  • 1 cup bananas, ripe and mashed
  • 1 cup Turkey Red whole wheat flour*
  • 1 cup Sonoran Gold whole wheat flour
  • 3 tsp baking powder
  • 1 tsp baking soda
  • 1/2 cup melted butter
  • 3/4 cup sugar
  • 1/2 tsp salt
  • 1 tsp vanilla extract

When machine beeps, add:

  • 1/2 cup chocolate chips
  • 1/2 cup walnuts, chopped
  • LIGHT Crust Control recommend using the "Cake Course"

 

* Turkey Red flour may not currently be available in our online store. If it is not, contact us to request a sample.

Ancient Grains & Harvests (Part 1)

This blog post is part of a series that I (Richard) am writing about grain and agricultural themes in classic art. The research I am sharing here will contribute to a new book that will soon be published under the title Hallowed Harvests. You can read other posts in this series here.


The advent of grain foods cannot be dated with precision, but archaeological evidence indicates humans in eastern Africa mixed crushed grain with water to form gruel as early as 100,000 years ago. Cooking on heated stones, with embers, and by other primitive means enabled the roasting and toasting of grains to enhance flavors, but the revolutionary advent of fire-resistant earthenware pots in the Middle East by the eighth millennium BC fostered a significant advancement in human nutrition, culture, and population growth. Grains boiled in water made possible a savory array of pottages, soups, and stews, with the softened food especially benefiting the very young and elderly. No culinary advance since the invention of earthenware has had such a salutary effect on cooking methods.

Enduring methods of gathering crops from the Neolithic past to relatively modern times involved use of sickles to cut stands of wheat, barley, and other grains that were harvested at least 10,000 years ago in the Karaca Dağ region of southern Turkey and throughout Mesopotamia. The oldest extant complete sickle, fashioned with sharpened flints about 9,000 years ago and found in the Nahal Hemar Cavenear the Dead Sea in the Jordan Valley, is held by the Israel Museum in Jerusalem. First made of flints embedded into animal jawbones with cypress resin and honey, cast metal sickles began to appear during the Middle Bronze Age about 2,000 BC. The advent of this revolutionary tool helped spur humanity’s agricultural revolution that gave rise to civilizations by providing reliable food supplies and facilitating city life.

Cultivation of cereal grains has been integral to humanity’s advance since time immemorial. Cereals, named for the Roman goddess of fertility, Ceres, are not only nutritious but also adaptable to a wide range of climates and soil conditions. The ancestral range of modern cereal grains stretched along the Fertile Crescent from the Anatolian slopes of southeastern Turkey—where locals believe Adam first tilled the ground, eastward across the Transcaucasus and Mesopotamia to Kashmir and south to Ethiopia. This vast region is notable for long, hot summers and mild, moist winters which was ideal for the emergence of large-seeded cereals that became the principal foods sources that fueled human expansion throughout the world. The advent of grain cultivation coincided with animal husbandry as villagers sought to prevent creatures of horn and hoof from damaging grain fields by domesticating them. These developments spurred the Neolithic Revolution in Upper Mesopotamia approximately 9000 BC and represented the key breakthrough in civilization leading to food surpluses and the rise of settled, urban populations.

By 5000 BC these primitive self-pollinating plants—capable of evolving more rapidly than any other known organism, had spread along the Mediterranean coast to the Iberian Peninsula and north of the Caucasus Mountains. Some two thousand years later wheat reached the British Isles. Dispersion of cereal grains by wind, animals, and other natural processes was inexorable if slow—perhaps a thousand yards per year on average. Successive plant selections by early farmers led to earlier maturing stands. These native landrace wheats gained a foothold in central Europe and Scandinavia by about 3000 BC via the Danube, Rhine, and Dnieper river valleys. Humanity’s original farmers were most likely women of Neolithic times who tended hearth, home, and hoe while men ranged widely to hunt diminishing herds, first selected grains for kernel size and heads that were less susceptible to normal shattering.

These prehistoric stands of grain were cut by early agriculturalists yielding bone sickles embedded with obsidian blades sharper than later serrated metal versions that date to at least 2000 BC in the Middle Bronze Age. Agricultural folklorist and artist Eric Sloan considered the crescent-shaped sickle to be “the most aesthetically designed implement to have evolved from a thousand subtle variations” over millennia. Anthropologist Loren Eiseley imagines a proto-agrarian scene—likely one of many, when immense prehistoric creatures of horn and hoof still roamed the Levantine valleys, Anatolian highlands, and beyond: “[T]he hand that grasped the stone by the river long ago would pluck a handful of grass seed and hold it contemplatively. In that moment, the golden towers of man, his swarming millions, his turning wheels, the vast learning of his packed libraries, would glimmer dimly there in the ancestor of wheat, a few seeds held in a muddy hand.”

Novelist James Michener personifies the experience, surely rediscovered separately innumerable times throughout the prehistoric Middle East, in The Source, which opens along a Galilean wadi near the Mediterranean coast in the early tenth century BC. The Family of Ur is one of six in a clan that separates in the fall for the men’s annual boar hunt while the women remain near their makeshift fictional village of Makor. Here Ur’s wife considers their recent conversation about the wild wheat that has long supplemented their diet: “By holding back some of the harvest and keeping it dry in a pouch of deerskin, the grains could be planted purposefully in the spring and the wheat could be made to grow exactly where and when it was needed, and with this discovery the family of Ur moved close to the beginnings of a self-sufficient society. They did not know it, but if a food supply could be insured, the speed of change would be almost unbelievable: within a few thousand years cities would be feasible and civilizations too.”

Through the woman’s revolutionary experience, Michener further ponders the profound ramifications of these events for world religion, social structure, and the environment. He then turns to Ur’s apprehension of his wife’s prescient labors: “In his new apotheosis as [land]owner Ur began to bring new fields into cultivation…. Men of the Family of Ur had always possessed an intuitive sense of the land, and now it was the reluctant farmer who discovered one of the essential mysteries of the earth on which all subsequent agriculture would depend….” The family’s primitive agrarian endeavors soon lead by trial and error to awareness of the grain’s need for adequate water and fertile soil. These experiences laid the foundation of an agrarian savvy that would be carried down for several hundred generations until the nineteenth century’s Industrial Revolution and population expansion presented farmers with unprecedented new conditions of challenge and opportunity.

These first farmers also came to prefer “free-threshing” stands that better enabled separation of kernels from their “hooded” husks.  Among several dozen other ancient plant candidates for cultivation, these transitional grain species offered other significant benefits including flavor and nutrition, availability, storage, and portability. In these ways, wheat genotypes gradually came to grow more uniformly around early settlements from Egypt and the Jordan River Valley to Mesopotamia and across the Eurasian steppe to Manchuria. Grains grew for millennia across these landscapes amidst a mélange of irregular “off-types,” wildflowers, grasses, and other plants. Yields improved significantly following the advent of the plow about two thousand years ago, and varieties that descended from these ancient grains have come today to supply nearly one-third of humanity’s nutritional needs. Earliest examples of Sumerian cuneiform dating to c. 3000 BC at tells in Iraq show pictographs that eventually led to written language. Many of these baked clay tablets are inventories related to grain harvests, storage, and transactions. Procurement and trade in cereal grains were key factors in the growth of ancient empires and the organization of Mesopotamian and Egyptian political institutions.

The earliest pictorial expressions of harvest are from Egypt’s Old Kingdom (c. 2700-2100 BC) when unification of Upper and Lower Egypt led to a flowering of culture and architecture in grand monuments like the mortuary complexes at Thebes and Memphis in the fertile Nile Valley. The necropolis of Saqqara near the kingdom’s capital at Memphis contains the exceptionally well-preserved Fifth Dynasty mastaba of Ty, an official of the royal household, whose tomb contains an exquisitely decorated chapel. The room’s north wall contains ten rows of detailed paintings with accompanying hieroglyphics that depict the sequence of the harvest season (Shemu) from March to May of flax, barley, and wheat, and subsequent grain threshing, winnowing, and storage.

“Cutting and Carrying the Harvest” (Egyptian Old Kingdom Paintings, c. 2400 BC), Henri Faucher-Gudin (after a photograph by Johannes Dümichen), Gaston Maspero, History of Egypt, Chaldea, Syria, Babylonia, and Assyria (London, 1903)

“Cutting and Carrying the Harvest” (Egyptian Old Kingdom Paintings, c. 2400 BC), Henri Faucher-Gudin (after a photograph by Johannes Dümichen), Gaston Maspero, History of Egypt, Chaldea, Syria, Babylonia, and Assyria (London, 1903)

The spectacular images of Egyptian harvests are significant for their literal depictions of ancient Nile harvests and grain processing, and for the more profound religious meanings represented in such art. In the case of Ty’s mastaba reliefs, which show evidence in style and colors as the work of a master, viewers can appreciate the complexity of ancient farming operations that reveal various field operations and the division of labor required to bring them to completion. In the opening barley harvest panel, eight men wield broad-bladed sickles in their right hands while clasping the stems with their left, and a worker follows to gather and stack the cuttings. The next scene more clearly shows the characteristic lighter shade and shorter stalks of barley that attest to the artist’s attention to botanical authenticity. A flutist and cantor are also seen accompanying the reapers in order to provide rhythm and pace to such strenuous labor. The hieroglyph of an upright bearded grain spike appears in the next panel of workers and sheaves to indicate harvest of emmer wheat, the most valuable Egyptian crops for making bread. The next row shows men under the watchful eye of an overseer placing the stacks of sheaves into netted bags for transport to nearby threshing floors by donkey—a beast of burden widely used in the Egyptian countryside to this day.

The brief hieroglyphic interjections that accompany these images may be the work of the artist, but may well be by another artisan. The symbols conjure thoughts of commotion and shouting more than any measured routine accompanied by clapping and music. The terms used include “beat,” “hurry,” and “drive them.” The next threshing floor scene seems chaotic as men struggle to lead separate teams of oxen and donkeys around the circle to trample out the precious grain from the mass of stalks. Coordinating the animals’ variable pace and distances, cleaning up behind them, and recurrent removal of threshed cuttings to maximize efficiency required substantial coordination and stamina. Women appear in the subsequent winnowing scene to clean the grain by tossing the threshings into the wind, while other workers scoop the kernels into bags for transport to storage silos. Most of the men are lightly clad in loincloths though some have kilt-like garments, while the women use scarves to tie up their hair and wear loincloths and transparent dresses held up by shoulder straps. The tools of harvest shown in the panels are similar to those that would be widely used throughout the world until the twentieth century—sickles, rakes, and pitchforks to reap and thresh, and sieves, brooms, and scoops to clean and store.

In a metaphoric sense, such magnificent art that decorated tombs, monuments, and public buildings in ancient Egypt also bore profound cosmological significance since the primal association between human existence and agrarian experience harkens back to the dawn of civilization. Ideas about life and eternity found expression in priestly ceremonies and sacred writings like Egypt’s agricultural Coffin Texts and book The Coming Forth by Day (also known as the Book of the Dead). The implements of cultivation, tools for harvest, and means of transport variously found in tombs at places like Memphis represent the mystical course undertaken through just living and proper burial. These stages honored since time immemorial include birth (seeding and germination), growth (hoeing and weeding), and death (reaping and threshing) to afterlife in the underworld’s flax and grain Fields of Hotep (boats to the place of “contentment”).

Death was celebrated as the ultimate “harvest of life” symbolized in ancient times by a reaper’s sickle. At the pinnacle of the kingdom’s highly stratified society, the pharaoh represented the vital pulse of this cosmic consciousness in each generation and honored throughout the seasons in agrarian-based religious rituals. Cultural patterns and religious understandings are evident in similar ways in Mesopotamia and in Greek and Roman religious traditions. Yet these ancient societies existed without proscribed moral obligations for the ruling class and landowners to care for the poor by permitting practices like field gleaning. To be sure, agricultural workers were valued for the essential labor they provided, but not in the Hebrew sense that, “The earth is the Lord’s and the fullness thereof” (Psalm 24:1), and the Levitical code affirming the right to glean not only to the people of Israel, but to the “sojourner” (i. e., foreigners) as well.    

Sharing What Palouse Heritage Does

Recently, Palouse Heritage was generously invited to present about our work at the local Rotary chapter in Colfax, WA. We were extremely grateful for the opportunity to share. Our farm manager, Andrew Wolfe, delivered an excellent talk on who Palouse Heritage is, what we do, and why we do it. Here is the an excerpt from his presentation.


Who We Are

We are Palouse Heritage, a venture aiming toward the reintroduction of landrace grain flours and malts, grown here in the Palouse Country, for health, hearth and heritage. Some here may know the story of the Volga Germans, as some of you are surely kin, and it is difficult for me to say who we are without recalling from where we first came.

In the 18th century Catherine the Great, Tsarina of the Russian Empire, extended an invitation to foreigners to possess, inhabit and cultivate the fertile lands of Southern Russia that would later claim the title of the breadbasket of Europe. Our story follows a number of pioneering families who, considering the opportunity, ventured from their homes near and around Frankfurt Germany to make their new lives in Russia. Here they would fashion their lives much as they did in Germany, doing what they knew best, tending the earth and raising crops. As political instability and religious persecution loomed heavy by the 19th century, these humble farmers looked yet again toward new horizons that, by the 1880's, would lead them to the great northwest.

Led by a vanguard traveling by wagon and rail to Northwest destinations in the 1880s, members of the Ochs, Scheuerman, Kleweno, Litzenberger, Pfaffenroth, Schmick, Helm, Weitz, and other families would find their solace at "The Colony." The Colony, as they fondly referred to it, soon developed into a thriving settlement that provisioned families coming from the Old Country to their new home on the Palouse. Scores of new arrivals stayed while adjusting to life in the new land, and today many thousands of residents in the Northwest and beyond can trace their origins in the country to this time of sanctuary along the placid Palouse. Parents described it as a “Land of Milk and Honey” for children who tended the colony’s dairy herd and raided bee hives along the river. The newcomers used farming methods of medieval origin—long, narrow Langstreifen fields (akin to English furlongs) in three-crop rotations (Dreifelderwirtschaft), a shared “commons” (Almenden) for grazing and gardens, and harvests with sickle and scythe. In 2015, descendants of the Ochs and Scheuerman families reestablished The Colony as Palouse Colony Farm and tend now to the land our ancestors once did.

 

What We Do

We aspire to capture the sentiment of the "commons" once again in a modern and complex era. Though, before anything can be done, we must first grow grains. At Palouse Colony farm we grow landrace grains or, as I am fond of saying, "we grow the grains God made." These landrace grains are ancient pre-hybridized varieties ("races") of wheat, barley, oats, rye, and other grains which nature has caused to flourish in areas ("lands") throughout the world where they adapted to local environmental conditions. Genetic diversity and natural selection have conditioned these landrace varieties to be remarkably resilient and quick to adapt to new locations. Through often painstaking efforts we have found, reintroduced and caused to flourish many of the landraces which the very progenitors of our blood had grown in the soil of which we are now stewards. Varieties like Palouse Heritage White Lammas, known to history as "Hudson's Bay Wheat," originated as a landrace in the Celitc Aisles and is the original cereal grain of the Pacific Northwest. Palouse Heritage Red Walla Walla is a soft red landrace wheat hailing from Great Britain that was sown and thrived from Walla Walla to the Palouse after 1890. Palouse Heritage Bere Barley is a landrace from the Orkney Islands and the "grain that gave beer it's name." Palouse Heritage Purple Egyptian barley is a hulless, glassy purple barley with its heritage in Egypt and raised by our Russian ancestors in southern Russia. The list goes on. At Palouse Colony Farm we aim to reintroduce the flavorful spectrum of these lovely forgotten varieties along with their tremendous health benefits back onto the northwest dinner table. Through cooperation and partnerships with area malters, millers, bakers, brewers and distillers, we aim to offer our kaleidoscope of grains in the form of healthy flours and delightful beverages, bringing something truly unique to the market place, while tending the land responsibly and sustainably. 

 

Why We Do It

The pioneers and explorers of our area embraced a sentiment of community, their lives and livelihoods were often predicated by it. The experience of the entrepreneur strays very little from this idea; leaning on friends, neighbors and partners to the end of reciprocal benefit. Borrowing from contemporary agrarian visionary Wendell Berry, having a neighbor is preferable to having his land. In this sense we like to place ourselves in the boots of our pioneer forebears; inviting others of like mind to co-opt in the prospect of mutual success, in the pursuit of “the commons” while sharing common cause in health, community, relationships and sustainability. We revere the memory of things worth remembering and the preservation of things worth preserving. We do it to create sustainable grain economies that seek to respectfully feed body, mind, and spirit.

We do what we do for success, not just for ourselves, but for those around us. We do what we do to make real for others what we have known and what is continually revealed to us; that we live in a remarkable earth with spectacular diversity and creativity—the hallmark of our Creator—and what’s more is that it was meant for us. For health. For hearth. And for heritage. 

Steins, Vines & Grinds: Washington's Story of Craft Beer, Wine, and Coffee

The Washington State History Museum's long-awaited exhibit on the region's remarkable beverage heritage opened on January 20, 2017 as "Steins, Vines & Grinds: Washington's Story of Craft Beer, Wine, and Coffee." Over one hundred guests attended the opening festivities that featured opening remarks by Washington State Historical Society Executive Director Jennifer Kilmer and Ryan Pennington of Chateau Ste. Michelle, one of the exhibit's principal sponsors. 

I (Richard) serve as vice-president of the state historical society and museums so was also on hand to enjoy the fellowship and samples. Author Robert Foxcurran also attended from Seattle and presented me with a copy of his new book, "Songs Upon the Rivers," which is an extensive history of the mixed blood French and Indian Metis who were among the founders of Hudson's Bay Company posts at Ft. Vancouver, Ft. Colville, and Ft. Walla Walla. 

It was truly a wonderful event celebrating our love of beverages here in the northwest! Here are some photos from the night.
 

Ryan Pennington, Chateau Ste. Michelle Director of Communications; Richard Scheuerman, WSHS Vice-President; Jennifer Kilmer, WSHS Executive Director

Ryan Pennington, Chateau Ste. Michelle Director of Communications; Richard Scheuerman, WSHS Vice-President; Jennifer Kilmer, WSHS Executive Director

Robert Foxcurran, author of "Songs Upon the Rivers: The Buried History of the French-Speaking Canadiens and Metis"

Robert Foxcurran, author of "Songs Upon the Rivers: The Buried History of the French-Speaking Canadiens and Metis"

Agrarian Art Color Galleries

Jean-Francois Millet, The Gleaners (1857)

Jean-Francois Millet, The Gleaners (1857)

My latest writing project focuses on agrarian themes in art. It will be titled Hallowed Harvests and is the latest in my "Harvest" series, along with existing titles Harvest Heritage and Harvest Home. As part of my research, I have compiled a collection of images related to agrarian art. I'll be sharing about the significance of some of these works periodically in this blog. 

The images I'll be blogging about are available in these documents here and here. The color gallery images featured in these files generally follow the sequence that I will use as I blog about them.

As a reminder, there are various categories of this Palouse Heritage blog (also known as The COMMONER), listed on the right side of the page. I chose to use these categories to help readers narrow down posts they'd be interested in as they read The COMMONER. Blog entries specifically about these images will be included in the "School & Library" category.

As always, I'd love to hear your thoughts about what I'm sharing in this or any other posts here. Feel free to leave comments below!

Cascadia Grains Conference 2017

We just wrapped up a unique opportunity to not just attend the best grains conference in the world, but actively participate by presenting a "historical tasting" event. The Cascadia Grains conference this year was again a huge success. It was a wonderful time to gather with others who share our love for grains. I led the historical tasting presentation, which focused on a sampling of Washington State's early grain economies. 

A video recording of the presentation is available on our YouTube channel here. We apologize for the poor quality. (Rest assured, we'll be recording our future events in HD!). You can also view my slide deck used in the talk here. Below is a copy of the menu pamphlet describing the historical dishes and grain descriptions for each era. 

Reuben small bites made with Turkey Red Wheat paired with Ghost Fish IPA (Chris Lozier photo)

Reuben small bites made with Turkey Red Wheat paired with Ghost Fish IPA (Chris Lozier photo)

Smoked oyster and brie crostini made with Sonoran Gold Wheat (Chris Lozier photo)

Smoked oyster and brie crostini made with Sonoran Gold Wheat (Chris Lozier photo)

Smoked salmon and dill scone made with Scots Bere Barley paired with Top Rung Brewery Scout Stout (Chris Lozier photo)

Smoked salmon and dill scone made with Scots Bere Barley paired with Top Rung Brewery Scout Stout (Chris Lozier photo)

And below are a few more photos from the event. Palouse Heritage was also privileged to be one of the sponsors for this year's conference. We are extremely grateful to the Cascadia Grains team for allowing us to share and be involved in these ways.

1 dick pict tasting the grains 2017.jpg
Cherry Cobbler made with Palouse Heritage Red Fife wheat flour and Sandstone Gin Sorbet

Cherry Cobbler made with Palouse Heritage Red Fife wheat flour and Sandstone Gin Sorbet

Palouse Heritage was happy to be a sponsor for this year's conference!

Palouse Heritage was happy to be a sponsor for this year's conference!

Winter Sheaves and Celebration

Although holiday decorations and winter cold seem far removed from the affairs of summer harvest, in pre-industrial times life remained busy year-round as families needed to tend livestock and carry on other important chores. Considerable threshing of grain sheaves, for example, took place during winter as the brittle stalks that had been stored in barns since harvest were strewn about the covered threshing floor, or even on ice outside, to be struck with wooden flails in order to separate the golden kernels from the heads. To be sure, the winter time pace of labor was less intense than other seasons, and many agrarian traditions were associated with shortest days of the year.

Scandinavian farmers customarily saved the last harvest cuttings for the ceremonial “Yule Sheaf” (Norwegian Julenek, Swedish Julkarve) of oats or other grain which was suspended from a pole or barn roof during Christmas week and New Year as a blessing to the birds and goodwill offering for a favorable growing season. This tradition continued among some families in eighteenth century America as described in verse by Ohio poet Phoebe Cary’s “The Christmas Sheaf”:  

"And bid the children fetch," he said,
"The last ripe sheaf of wheat,
And set it on the roof o’erhead
That the birds may come and eat.

And this we do for His dear sake,
The Master kind and good,
Who of the loaves He blest and brake
Fed all the multitude."

As children we were always presented with a sack containing peanuts and an orange after the annual church Christmas program in our hometown of Endicott—a tradition that continues to this day. Only later did I learn that in ancient times oranges commonly symbolized the sun while acorns and other nuts were also given during the week of the winter solstice (December 21) to celebrate the return of longer days and life’s renewal. 

Suesspleena Before and After Flipping

Suesspleena Before and After Flipping

Like families of many cultural backgrounds, ours has also long observed festive Christmas Eve dinners. A favorite entrée is the wide, paper thin Suesspleena egg batter pancakes and accompanying hot Schnitzel fruit soup of raisins, apples, peaches, and other flavorful “pieces” for which it is named, which is mixed with cream just before serving. When our beloved cousin Al first married into our clan many years ago, he led the procession around the holiday buffet and assumed the bowl of steaming brown was gravy, so proceeded to cover his mashed potatoes with it. We’ve never let him forget.

These pancakes remain an important part of Maslenitsa, Eastern Orthodoxy’s “Butter (or Crepe) Week,” celebrated now in the spring during Lent but observed in ancient times during mid-winter. Our German ancestors in Russia were known to stack them into layers spread with jam for a delicious treat, and the “4-3-2-1” recipe handed down to us remains a holiday staple. It calls for 4 eggs, 3 cups of milk, 2 cups of flour, and 1 tablespoon of sugar. We also add a dash of salt and fry them on a hot buttered skillet. Don’t worry if the first one or two are ruined as you gauge the proper temperature and master the flipping technique. After all, there is an old Russian saying that basically translates, “The first blina (pancake) is a disaster”!

We now LOVE making family Suesspleena meals using our Palouse Heritage Sonoran Gold flour. Not only is it more authentic than the modern flour you'd buy in the grocery store today, but it delivers a naturally sweet, nutty-tasting flavor. Delicious!